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    <ns1:title language="en">BÃ©la BartÃ³k, George Crumb and Steve Reich</ns1:title>
    <ns2:subtitle language="en">an analysis of their works for two pianos and percussion, with an emphasis on the use of rhythm and percussion instruments</ns2:subtitle>
    <ns1:language>en</ns1:language>
    <ns1:description language="de">Masterarbeit
Masterstudium Schlagwerk
RA 066 732</ns1:description>
    <ns1:description language="en">ABSTRACT:

In this essay the author analyzes three important works written for two pianos and percussion from a perspective of a percussion player. The three pieces include BÃ©la BartÃ³kâs Sonata for Two Pianos and Percussion, George Crumbâs Music for aSummer Evening (Makrokosmos III) and Steve Reichâs Quartet for two pianos and two vibraphones.
The analysis will focus on the parallels between pianos and percussion, the impact these compositions had on development of percussion instruments and the musicians behind them, as well as the importance of rhythm in music.</ns1:description>
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        <ns3:institution>Anton Bruckner PrivatuniversitÃ¤t</ns3:institution>
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        <ns3:firstname>Sven</ns3:firstname>
        <ns3:lastname>Birch</ns3:lastname>
        <ns3:institution>Anton Bruckner PrivatuniversitÃ¤t</ns3:institution>
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    <ns12:pagination>47 Seiten</ns12:pagination>
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