
<resource xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:datacite="http://datacite.org/schema/kernel-4" xmlns="http://namespace.openaire.eu/schema/oaire/" xsi:schemaLocation="http://namespace.openaire.eu/schema/oaire/ https://www.openaire.eu/schema/repo-lit/4.0/openaire.xsd">
  
<datacite:identifier identifierType="URL">https://phaidra.bruckneruni.at/o:233</datacite:identifier>

  
<datacite:titles>
  
<datacite:title xml:lang="en">Composing techniques based on Indian classical rhythmical structures</datacite:title>

  
</datacite:titles>

  
<datacite:creators>
  
<datacite:creator>
  
<datacite:creatorName nameType="Personal">Six, David</datacite:creatorName>

  
<datacite:givenName>David</datacite:givenName>

  
<datacite:familyName>Six</datacite:familyName>

  
</datacite:creator>

  
</datacite:creators>

  
<datacite:contributors>
  
<datacite:contributor contributorType="Other">
  
<datacite:contributorName nameType="Personal">Deppe, Renald</datacite:contributorName>

  
<datacite:givenName>Renald</datacite:givenName>

  
<datacite:familyName>Deppe</datacite:familyName>

  
<datacite:affiliation>Anton Bruckner Privatuniversität</datacite:affiliation>

  
</datacite:contributor>

  
<datacite:contributor contributorType="Other">
  
<datacite:contributorName nameType="Personal">Cech, Christoph</datacite:contributorName>

  
<datacite:givenName>Christoph</datacite:givenName>

  
<datacite:familyName>Cech</datacite:familyName>

  
<datacite:affiliation>Anton Bruckner Privatuniversität</datacite:affiliation>

  
</datacite:contributor>

  
</datacite:contributors>

  
<resourceType resourceTypeGeneral="literature" uri="http://purl.org/coar/resource_type/c_18cf">text</resourceType>

  
<dc:language>eng</dc:language>

  
<dc:description xml:lang="en">ABSTRACT:

This text provides an overview of traditional composing techniques and rhythmic devices
originating from Indian classical music as well as their potential application for composers of
western classical contemporary music or jazz. This is achieved by an analysis of already existing
works of twentieth century composers who have either clearly drawn inspiration from Indian
classical rhythmic structures or whose work simply shows unintended parallels. Further, new
creative concepts of how to implement or transform pure rhythmic structures via matrices into tonal
material are being introduced. (Rhythm : Harmony | Rhythm : Melody)</dc:description>

  
<dc:description xml:lang="de">Masterarbeit
Masterstudium Jazz und improvisierte Musik, Klavier
RA 066 760 711</dc:description>

  
<dc:description xml:lang="de">ABSTRACT:

Diese Arbeit bietet einerseits einen Überblick über verschiedene Kompositionsmethoden und
Rhythmusstrukturen in der Klassisch indischen Musiktradition sowie mögliche
Anwendungsmethoden derselben für Komponisten der westlichen Genres Neue Musik und Jazz.
Bereits bestehende, von Komponisten des 20. Jahrhunderts aufgegriffene Techniken wie eigene
kreative Ansätze (Matrizen) werden vorgestellt. (Rhythmus : Harmonie | Rhythmus : Melodie)</dc:description>

  
<licenseCondition uri="http://rightsstatements.org/vocab/InC/1.0/">All rights reserved</licenseCondition>

  
<datacite:relatedIdentifiers>
  
<datacite:relatedIdentifier relatedIdentifierType="URL" relationType="IsPartOf">https://phaidra.bruckneruni.at/o:191</datacite:relatedIdentifier>

  
<datacite:relatedIdentifier relatedIdentifierType="URL" relationType="IsPartOf">https://phaidra.bruckneruni.at/o:3904</datacite:relatedIdentifier>

  
</datacite:relatedIdentifiers>

  
<datacite:sizes>
  
<datacite:size>5.18 MB</datacite:size>

  
</datacite:sizes>

  
<datacite:dates>
  
<datacite:date dateType="Issued">2019-02-14</datacite:date>

  
</datacite:dates>

  
</resource>


