{"@context":{"aiiso":"http:\/\/purl.org\/vocab\/aiiso\/schema#","arm":"https:\/\/ld4p.github.io\/arm\/core\/ontology\/0.1\/","bf":"http:\/\/id.loc.gov\/ontologies\/bibframe\/","bib":"https:\/\/bibliotek-o.org\/","bibo":"http:\/\/purl.org\/ontology\/bibo\/","cito":"http:\/\/purl.org\/spar\/cito\/","classSchemes":"http:\/\/id.loc.gov\/vocabulary\/classSchemes","dbo":"http:\/\/dbpedia.org\/ontology\/","dce":"http:\/\/purl.org\/dc\/elements\/1.1\/","dcmitype":"http:\/\/dublincore.org\/documents\/2000\/07\/11\/dcmi-type-vocabulary\/#","dcterms":"http:\/\/purl.org\/dc\/terms\/","ebucore":"http:\/\/www.ebu.ch\/metadata\/ontologies\/ebucore\/ebucore","edm":"http:\/\/www.europeana.eu\/schemas\/edm\/","foaf":"http:\/\/xmlns.com\/foaf\/spec\/#","frap":"http:\/\/purl.org\/cerif\/frapo","identifiers":"http:\/\/id.loc.gov\/vocabulary\/identifiers","ids":"http:\/\/id.loc.gov\/vocabulary\/identifiers\/","opaque":"http:\/\/opaquenamespace.org\/","pcdm":"http:\/\/pcdm.org\/models#","phaidra":"https:\/\/phaidra.org\/ontology\/","rdam":"http:\/\/rdaregistry.info\/Elements\/m\/","rdau":"http:\/\/rdaregistry.info\/Elements\/u\/","rdax":"http:\/\/rdaregistry.info\/Elements\/x\/","rdf":"http:\/\/www.w3.org\/1999\/02\/22-rdf-syntax-ns#","rdfs":"https:\/\/www.w3.org\/TR\/rdf-schema\/","relators":"http:\/\/id.loc.gov\/vocabulary\/relators","role":{"@context":{"aut":{"@container":"@list","@id":"http:\/\/id.loc.gov\/vocabulary\/relators\/aut"}}},"schema":"http:\/\/schema.org\/","skos":"http:\/\/www.w3.org\/2004\/02\/skos\/core#","skosxl":"http:\/\/www.w3.org\/2008\/05\/skos-xl"},"@id":"https:\/\/phaidra.bruckneruni.at\/o:3898","bf:note":[{"@type":"bf:Summary","skos:prefLabel":[{"@language":"eng","@value":"In this article, I write about knowledge production in artistic research and the opportunities and challenges the discipline offers, interweaving theoretical considerations with examples from practice. I consider what constitutes artistic research and how it differs from other academic disciplines or the process of art making itself. I am interested in the conditions necessary for the production of knowledge in artistic research and how, on the one hand, a multi-layered interpretation is fostered on research results expressed through art and artistic practice, but on the other hand, research results can also become ambiguous, making them vulnerable or sometimes questionable from the perspective of traditional academia or even within the discipline."}]}],"dce:subject":[{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"artistic research"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"epistemic potential"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"worldmaking"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"methodology"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"articulation of artistic research"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"knowledge genesis through art"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"fragility of artistic research"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"artistic research in the third cycle"}]}],"dce:title":[{"@type":"bf:Title","bf:mainTitle":[{"@language":"eng","@value":"Knowledge production in artistic research - opportunities and challenges"}]}],"dcterms:issued":["2023"],"dcterms:language":["eng"],"dcterms:type":[{"@type":"skos:Concept","skos:exactMatch":["https:\/\/pid.phaidra.org\/vocabulary\/69ZZ-2KGX"],"skos:prefLabel":[{"@language":"eng","@value":"Text"},{"@language":"deu","@value":"Text"},{"@language":"ita","@value":"Testo"}]}],"ebucore:filename":["Lueneburg_KnowledgeProduction.pdf"],"ebucore:hasMimeType":["application\/pdf"],"edm:hasType":[{"@type":"skos:Concept","skos:exactMatch":["https:\/\/pid.phaidra.org\/vocabulary\/VKA6-9XTY"],"skos:prefLabel":[{"@language":"eng","@value":"journal article"},{"@language":"deu","@value":"Wissenschaftlicher Artikel"},{"@language":"ita","@value":"Articolo di rivista"}]}],"edm:rights":["http:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/"],"rdam:P30004":[{"@type":"ids:doi","@value":"10.32063\/1009"}],"rdau:P60193":[{"@type":"schema:CreativeWork","bibo:volume":["10"],"dce:title":[{"@type":"bf:Title","bf:mainTitle":[{"@language":"deu","@value":"Music & Practice"}]}],"dcterms:issued":["2023"],"ids:issn":["1893-9562"]}],"role:aut":[{"@type":"schema:Person","schema:familyName":[{"@value":"Lüneburg"}],"schema:givenName":[{"@value":"Barbara"}],"skos:exactMatch":[{"@type":"ids:orcid","@value":"0000-0002-3259-5219"}]}]}