{"@context":{"aiiso":"http:\/\/purl.org\/vocab\/aiiso\/schema#","arm":"https:\/\/ld4p.github.io\/arm\/core\/ontology\/0.1\/","bf":"http:\/\/id.loc.gov\/ontologies\/bibframe\/","bib":"https:\/\/bibliotek-o.org\/","bibo":"http:\/\/purl.org\/ontology\/bibo\/","cito":"http:\/\/purl.org\/spar\/cito\/","classSchemes":"http:\/\/id.loc.gov\/vocabulary\/classSchemes","dbo":"http:\/\/dbpedia.org\/ontology\/","dce":"http:\/\/purl.org\/dc\/elements\/1.1\/","dcmitype":"http:\/\/dublincore.org\/documents\/2000\/07\/11\/dcmi-type-vocabulary\/#","dcterms":"http:\/\/purl.org\/dc\/terms\/","ebucore":"http:\/\/www.ebu.ch\/metadata\/ontologies\/ebucore\/ebucore","edm":"http:\/\/www.europeana.eu\/schemas\/edm\/","foaf":"http:\/\/xmlns.com\/foaf\/spec\/#","frap":"http:\/\/purl.org\/cerif\/frapo","identifiers":"http:\/\/id.loc.gov\/vocabulary\/identifiers","ids":"http:\/\/id.loc.gov\/vocabulary\/identifiers\/","opaque":"http:\/\/opaquenamespace.org\/","pcdm":"http:\/\/pcdm.org\/models#","phaidra":"https:\/\/phaidra.org\/ontology\/","rdam":"http:\/\/rdaregistry.info\/Elements\/m\/","rdau":"http:\/\/rdaregistry.info\/Elements\/u\/","rdax":"http:\/\/rdaregistry.info\/Elements\/x\/","rdf":"http:\/\/www.w3.org\/1999\/02\/22-rdf-syntax-ns#","rdfs":"https:\/\/www.w3.org\/TR\/rdf-schema\/","relators":"http:\/\/id.loc.gov\/vocabulary\/relators","role":{"@context":{"aut":{"@container":"@list","@id":"http:\/\/id.loc.gov\/vocabulary\/relators\/aut"}}},"schema":"http:\/\/schema.org\/","skos":"http:\/\/www.w3.org\/2004\/02\/skos\/core#","skosxl":"http:\/\/www.w3.org\/2008\/05\/skos-xl"},"@id":"https:\/\/phaidra.bruckneruni.at\/o:3910","bf:note":[{"@type":"bf:Summary","skos:prefLabel":[{"@language":"eng","@value":"We present a dataset of 264 annotated piano pieces of nine composers, composed in the long 19th century (https:\/\/doi.org\/10.5281\/zenodo.7483349). Annotations adhere to the DCML harmony annotation standard and include Roman numerals, phrase boundaries, and cadence types. The scores are encoded in the XML-based MuseScore 3 format. Annotations are embedded within the MuseScore files. In addition, all harmony information, alongside key features of the encoded measure and note objects, is provided in the form of plaintext TSV-formatted tables for increased interoperability with other datasets and analysis tools. Annotations were collaboratively created and reviewed by a pool of trained music theorists. Collaboration took place asynchronously online via a semi-automated GitHub-based workflow designed for quality assurance, allowing cycles of revisions and reviews until consensus is reached. The full revision history is retained, providing data for further empirical research on inter-annotator agreement and related topics. We also present descriptive statistics about the nine corpora and the dataset as a whole, including comparisons of pitch-class contents, phrase lengths, modulations, and cadence types. We conclude with a discussion of our musicological principles for corpus building and considerations of representability."}]}],"dce:subject":[{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"corpora"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"harmony"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"phrase"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"cadence"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"piano"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"deu","@value":"19th century"}]}],"dce:title":[{"@type":"bf:Title","bf:mainTitle":[{"@language":"eng","@value":"An annotated corpus of tonal piano music from the long 19th century"}]}],"dcterms:issued":["2024-01-12"],"dcterms:language":["eng"],"dcterms:type":[{"@type":"skos:Concept","skos:exactMatch":["https:\/\/pid.phaidra.org\/vocabulary\/69ZZ-2KGX"],"skos:prefLabel":[{"@language":"eng","@value":"Text"},{"@language":"deu","@value":"Text"},{"@language":"ita","@value":"Testo"}]}],"ebucore:filename":["EMR_v18_1_8903_Hentschel.pdf"],"ebucore:hasMimeType":["application\/pdf"],"edm:hasType":[{"@type":"skos:Concept","skos:exactMatch":["https:\/\/pid.phaidra.org\/vocabulary\/VKA6-9XTY"],"skos:prefLabel":[{"@language":"eng","@value":"journal article"},{"@language":"deu","@value":"Wissenschaftlicher Artikel"},{"@language":"ita","@value":"Articolo di rivista"}]}],"edm:rights":["http:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/"],"rdam:P30004":[{"@type":"ids:doi","@value":"10.18061\/emr.v18i1.8903"}],"rdau:P60193":[{"@type":"schema:CreativeWork","bibo:issue":["1"],"bibo:volume":["18"],"dce:title":[{"@type":"bf:Title","bf:mainTitle":[{"@language":"deu","@value":"Empirical Musicology Review"}]}],"dcterms:issued":["2023"],"ids:issn":["1559-5749"]}],"role:aut":[{"@type":"schema:Person","schema:familyName":[{"@value":"Hentschel"}],"schema:givenName":[{"@value":"Johannes"}],"skos:exactMatch":[{"@type":"ids:orcid","@value":"0000-0002-1986-9545"}]},{"@type":"schema:Person","schema:familyName":[{"@value":"Rammos"}],"schema:givenName":[{"@value":"Yannis"}]},{"@type":"schema:Person","schema:familyName":[{"@value":"Moss"}],"schema:givenName":[{"@value":"Fabian C."}],"skos:exactMatch":[{"@type":"ids:orcid","@value":"0000-0001-9377-2066"}]},{"@type":"schema:Person","schema:familyName":[{"@value":"Neuwirth"}],"schema:givenName":[{"@value":"Markus"}],"skos:exactMatch":[{"@type":"ids:orcid","@value":"0000-0003-1990-052X"}]},{"@type":"schema:Person","schema:familyName":[{"@value":"Rohrmeier"}],"schema:givenName":[{"@value":"Martin"}],"skos:exactMatch":[{"@type":"ids:orcid","@value":"0000-0002-4323-7257"}]}],"schema:pageEnd":["95"],"schema:pageStart":["84"]}