Abstract (eng)
This study explores the unique repertoire of violin and cello duos composed during the 1920s in
Paris by composers Bohuslav Martinů, Maurice Ravel, and Arthur Honegger. These works emerged
during a post-war period marked by the consequences of World War I, a time when Paris
functioned as a vibrant center of creation, innovation and collaboration. The composers of this era
were profoundly influenced by the social and artistic shifts of their time, navigating the tension
between the devastation of war and the search for a new artistic identity.
The duos reflect key elements of the neoclassical aesthetic of this time, which became an important
point of the period. This style, characterized by its return to clarity, structure, and balance, was a
response to the excesses of Romanticism and a reflection of a desire for renewal and order in the
face of chaos.
While all three works exhibit these characteristics, each composer approaches these elements
differently. Ravel’s duo incorporates a refined use of counterpoint and harmonic innovation, whereas
Martinů’s work displays a rhythmic vitality influenced by Czech folk traditions. In contrast,
Honegger’s piece embraces a more dramatic and expressive language, reflecting his affinity for
symphonic writing and influence by earlier composers like Bach or Beethoven. These distinctions
highlight the diversity within the neoclassical movement and underscore how each composer
responded uniquely to the artistic climate of the post-war in Paris.